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Photo AlbumHow To Prepare For A MarathonApr 27, '10 1:39 AM
for everyone

I am dying to tell you more earth-shattering achievements of Pinoys in the international scene, entertainers who flirt with the glitz of eyesight-shattering limelight or hardcore Filipino athletes who completely flip out in their world record breaking performances. However, this week’s feature involves the highest form of heroism – volunteers. Now, don’t go and say “I don’t know, man, volunteering for UN and *$%# (I’m trying to avoid cursing. I’ll get there give me time. – Ed) like that, I think it’s gay.”

First, there is nothing wrong with being gay. Second, volunteers are the bravest effers to ever walk the earth. Imagine giving up the comfort that city life could bring (geez, no internet for a year except when needed. Why don’t you just kill me?) to serve the basic needs of people you don’t even know and can never give anything back to you. These volunteers don’t spend their life punching people in their faces until they bleed to death nor their free time signing autographs but they are the ones who walk into people’s lives to feed them, clothe them, teach them how to read and write, and show them some amount of kindness that is so hard to find in this world. Now, THAT IS HARDCORE.

Richard Michael R. Fernando, SJ was a Jesuit scholar that was assigned in Cambodia in a technical school for landmine victims during his regency to work. Do understand, he doesn’t get anything out of this except the right to take a bath, sleep occasionally and eat just enough to survive but he was cool with all that. In fact, he chose that vocation. Operative word, CHOSE.

richard michael fernando, sj

richard michael fernando, sj

It was October 17, 1996 when Richard woke up to another day of service. You know, feed the hungry, attend to the sick, have some fun with the students, just hang. All of a sudden, one student named Sarom threatened to release a hand grenade after being asked to leave the school. It wasn’t a bluff because he actually had a grenade in his hands.

This is a technical school, there are hundreds upon hundreds of students in that place all hoping against all hope they could learn a thing or two so they could have a better future, maybe have three meals a day instead of one every other day. Really, a place with hopeless kids with simple dreams. Richard didn’t even think effin’ twice on what he should do. He grasped the hands of this angry student pleading for him to not take out the pin and drop the grenade. Sarom didn’t give a $%#@ and just dropped the grenade.

#$%@ right?

Richie, being the hardcore, fearless volunteer that he was didn’t even blink. He was ready, willing and proved to be able to save hundreds of people around him INCLUDING the student who wanted to kill everyone.

Richard fell over the grenade. That’s not all. Just to seal the deal, he grasped it on his hand so tight to make sure no one else gets hurt. The grenade, of course, exploded and Richard died. NO ONE ELSE DID.

Saving one person from death by covering a grenade with your body is something that most mere mortals will never do in their lives, even if they have nine but for Richard, it was a natural thing.

That incident happened in 1996 and it is sad that very few people know about this. Richard’s story is exactly the kind that should be told and retold until it penetrates to every living soul’s effin’ body and lands straight to the heart. He makes being Pinoy totally cool, don’t y’all agree?  This loser blog can’t do much though, except write about it and hope against all hope, someone is reading and listening.

*special thanks to http://fonsetculmen.blogspot.com/2006/09/prayer-in-honor-of-richard-michael-r.html


Photo AlbumTumawa at Mag-IsipApr 23, '10 8:15 PM
for everyone

Blog EntryApr 14, '10 6:55 AM
for everyone
No matter how hot or how cool you think you were in you darn jumping photos, you will never be half this cool in your lifetime...

The Beatles (1965)


Special thanks to http://notforminors.wordpress.com/ for the photos.

Blog EntryApr 7, '10 4:02 AM
for everyone
Looks like Noel really ended it this time. Oasis, My favorite band (next to The Beatles), called it a night.

We'd be lucky to witness another band half as great as they were in this lifetime.

Oh but well, to the good times... Noel Gallagher Quotable Quotes

thanks to FOR ADULTS ONLY Blog

 

ON DRUGS


It fascinates me that among all the people we hang out with, the only ones who haven’t been in rehab is me and liam.

That’s the difference between the middle class and the working class. The middle class experiment with drugs. The working class just get stuck in one. Forget about experimenting with them. Let’s just get them done.

You hear about all these stories about these rockstars going in to rehab. Somebody must take them aside at one point and said I think you might be going off the rails. You might want to go to the priory or somethin’. We were off the rails to start with. We were off the rails even before we got a record deal. We arrived in London hammered. Just out of it.

INTERVIEWER: You’re clean now.
NOEL: I don’t like that term. I’ve never considered myself to be dirty.

If there were gold medals for taking drugs, I would have won a shitload.

ON LIAM

He’s gone to the zoo. The monkeys are bringing their kids to go and have a look at him. [Noel on October 2006, explaining why his brother Liam was not at the Q awards where their band Oasis was named Best Act in the World and Noel picked up the Classic Songwriter prize]

It’s a good thing we don’t live in the u.s. where guns are more accessable,because I’d have blown his head off by now. The problem is I can’t fire him because me ma would kill me.

He’s a genius frontman, he was born to this and that’s something I can’t be. But he also wishes he was me, always has. His fans come up to him after shows & I hear him giving all this gob-shite, and I think, ‘Shut-up you twat, I babysat for you!

I owe my whole career to this guy [Liam].

Liam is a songwriting genius. His songs make me cry ’cause they are better than mine.

My whole world came crashing down on me then. If it hadn’t have been for Liam’s support I don’t know what I’d have done. This is my little brother, who I look after, putting his arm a round me, saying ‘It’ll be all right man.’ But I don’t think people will ever forgive me for it.[Noel concerning his comment on Blur and Aids]

The only people who will get it is Liam and me. [On his relationship with Liam]

He is predictably unpredictable. I can never work him out. Ever. I’ve known him all my life.

He [Liam] actually heckled every single person that moved that afternoon, not just Robbie. He even heckled us ‘And the best live band in the world is Oasis’ (imitating Liam) ‘That’s rubbish! Oh, it’s us.’ He even heckled me on our way up. (imitating Liam) ‘I hate you, fu$% you. You rubbish. You can’t play the guitar.’ He didn’t discriminate. I even caught him in the toilet looking at himself in the mirror ‘what are you looking at? Rubbish. You can’t sing sh!t. Rubbish.’

We shared a bedroom which I always resented that [sic] because my older brother got his own bedroom and I am sharing mine with Liam when he came along. I never quiet forgiven him for that.

He’s just as mad as a barking rattlesnake and always will be.

We’re brothers, man. He is the singer in my band and I’m the songwriter. There’s a bond between us that will never be broken by some guy with a typewriter.


ON HIMSELF


I’m a happy-go-lucky character. I’m not that miserable. But I can never let anyone into my world

It is hard to be modest at times like these, so I won’t even try-you’re all sh!t!

You want to be me & Liam for an afternoon? You’d slit your throat.

I hate rock-stars that whine about the price of fame..let me just tell you that being famous is great. I love it, man! When you get stopped walking down the street for an autograph that’s the best feeling in the world.

I’m equal part genius, equal part buffoon.

I’m not like John Lennon, who thought he was the great Almighty. I just think I’m John Lennon.

One of my goals is to stop wearing women’s clothes

I do all the work so it’s only right that I should get the most money. Plus I am the most handsome.

Next year I hope to get a stalker or two because I don’t believe you’ve arrived until you get a stalker

I`m a great songwriter, but I`m not the most talented musician.

I’m at f$%#in’ best, average. [On his guitar playing skills]

This guy came up to me from some band and he said that ‘Man, I’d hate to be you right now, no privacy at all’ and I was thinking, ‘Sure thing man, I have a fucking Rolls Royce, a million dollars in the bank, a fucking mansion and my own jet and you think you’d feel sorry for me? What are you? I’d hate to be you, broke as hell living in the dole.

Full fat [milk] please. I want to bring in a heartattack as quick as I can. Had enough of this life.

I’m a rockstar. I’m paid to be childish.

I like a few women, but i like men an awful lot more. [No, he is not gay. He was reading a text message from a radio listener. – Ed]

… I was prolific [in songwriting] in my youth, you know what I mean, cause I had plenty of time in my hands. But what happens… you get kind of older you get more baggage… When I was 24 I had a guitar, I had a pair of adidas trainers… And that’s all I cared about... But as life gets on you get kids and all that carry ons… You get married. And then you get divorce and blah blah blah and all that. You don’t have the time to devote to music.

I can’t write songs about being unemployed and young. I’m a rock star and a millionaire. It won’t be honest.


ON OTHER ARTISTS

Those other bands are not even in a position to string my guitar at the moment. [When asked how oasis compare to most other British bands, such as Elastica, Supergrass, & Blur]

Just because you sell a lot of records doesn’t mean you're any good. Look at Phil Collins.

‘Kylie Minogue is just a demonic little idiot

Idiot! [on Jennifer Lopez, Britney Spears and Eminem]

They should be shot. [Noel on the Backstreet Boys]
[After 5 years he was reminded of what he said about Backstreet Boys, this is what he said] That was a long time ago. I'm still waiting.

I remember someone come up to me back in ’94 who shall remain nameless saying ‘I like your work’. And I was going ‘did you? I hate yours.’


ON OASIS

Oasis aren’t r
ole models, we’re honest. This is what we do and this is what we get up to. We’re not criminals, devils, or anti-christs, we’re people.

The songs speak for themselves. They don’t need for us to go run up or down the stage like Guns N’ Roses. We know our strenghts and weaknesses. We’re not showmen, we’re musicians.

Me and Bonehead would just walk into a hotel room and empty it out the window.  



VideoApr 5, '10 10:12 PM
for everyone
nice idea from Samsung. gotta give it to those guys.

now, tell me how bad@$$ this guy is.



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VideoApr 4, '10 9:29 PM
for everyone

many artists revived this and a lot of them are good.
but NO ONE did and will do it like John.


NOTE: i don't think they were actually together in this performance. it looks like it was taken from different videos and put together.

not that it matters.



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Photo AlbumWhatever GodMar 30, '10 11:19 PM
for everyone
ddd
dThumbnaild
ddd
Whatever religion
Whatever faith

you hold on to...
may it be strengthened.


According to this story:

- It was 1966. The Beatles toured the Philippines.
- The Beatles thought they were going to perform before a 2,000 to 5,000 crowd. They ended up performing in the Rizal Memorial Football Stadium before a 20,000 crowd or more.
- The band had a day off before their second performance.
- Imelda Marcos called The Beatles management/staff to invite the band to play in the Malacañang Palace, together with the children.
- The Beatles management turned down the invitation because The Beatles were already promised the day off and didn't even inform The Beatles of the invitation.
- While The Beatles were relaxing in their hotel, "Beatles snobbed Marcos" news circulated.
- The Beatles said they weren't usually invited to state dinners. They were shocked to see themselves not show up in the supposed courtesy call.
- Brian Epstein attempted to pacify the angry people by making a public statement of apology on national TV. But coincidentally, the airing was shut off/turned into static noise because of some airing problems.
- Riot ensued. People manhandled the Beatles at the airport.
- The Beatles were flown up and to this day, none of The Beatles has returned to the Philippines.
- Paul McCartney said that after he learned of the what the Marcoses were doing to the Philippines, they were glad they did it.



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VideoMar 20, '10 7:39 AM
for everyone

"I don't believe that anybody feels the way I do about you...
Are you gonna be the one to save me?"
- Wonderwall (New Version)



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Blog EntryMar 17, '10 11:50 PM
for everyone
The Biggest Little Man in the World
By Andrew Corsello
Photograph by Mark Seliger
What do you get when you cross Muhammad Ali, Sly Stallone, Vaclav Havel, Michael Vick, Che Guevara, & Clay Aiken? Manny Pacquiao


He is in the car. I am in the car. Physically we are, both of us, in the car. Still, I wonder.

It's now January. In December, I spent a week traversing the Philippine archipelago in a vain attempt to speak with this man. Though it is difficult to arrive at an exact number, it is safe to say that during that week, slightly less than half the national population of 90 million people assured me with a wink that they would get me "in the car" with Manny Pacquiao. But there had been no car. No Manny Pacquiao. (Pronounced like a comic-book sound effect: pack-ee-ow!) I did spend the afternoon of the man's thirty-first birthday in his living room, playing a series of increasingly aggressive Christmas carols on his Yamaha grand piano in a last-ditch effort to flush him from his bedroom. (It was five in the afternoon. He had risen for the day an hour earlier.) But there was no Manny. At 6 p.m., in a single brisk movement, he descended from the balcony—eerily reminiscent of the one on which Al Pacino dies after screaming, "Say hello to my lee-tle frien'!" in Scarface—and out to a waiting caravan. He brushed my shoulder without looking at me as he passed. Or did he? Later, I could not shake my suspicion that the shoulder brush, the whole trip, was a dream. A vivid dream, of a place where every soul and every thing was lit from within by the still, small voice of Manny Pacquiao—Manny… Emmanuel…Hebrew for "God is with us"— but where Manny Pacquiao himself was nowhere to be seen.

But now, at a promotional event in Texas, the first boxer ever to win seven world titles in as many weight divisions, the first athlete ever to appear on a Philippine postage stamp, a man who in 2008 portrayed the Philippine warrior Lapu-Lapu, whose forces killed Magellan and repelled his conquistadores, in a reenactment of the 1521 Battle of Mactan, a man who often survives on three hours' sleep and is said to possess a photographic memory, is "in the car." As am I.

"Manny," I begin, "one of the many reasons GQ wants to feature you is that we want to explain why your appeal in the United States extends far beyond the sport of boxing. Do you have a theory about this?"

The members of his posse, encircling him at ten, two, three, four, six, eight, and nine o'clock, lean in and look. Nothing about the man moves. He remains perfectly postured, eyes forward, arms crossed, the vertical of his chassis aligned with, determining, the center of the SUV's bench seat and of the vehicle itself. Time passes.

"Manny," I begin again, "are you aware that millions of people in this country who don't follow boxing follow you?" I can see myself reflected in his oversize mirrored Oakleys. I look ridiculous.

After a time, the tiniest parting of the lips, just a sliver of a shadow between them, and a low exhalation:

"Yaaah."

Then Manny Pacquiao tilts his head back several degrees to indicate the departure of his presence.

It is then, at long last, that a phrase Pacquiao's people use to explain his mysterious ways—which isn't an explanation at all but a surrender—begins to seem adequate.

Because he is Pacquiao.

After the car ride, we all fly to New York on his promoter's plane. There is great consternation in the hangar prior to departure. Five men huddle over a small package. They look ashen, cancer-stricken. A decision is reached. The tallest of them, a Canadian named Michael Koncz, takes the package and marches, as if toward his own death, onto the airplane.

After takeoff, Koncz opens the package. It's Manny's dinner. Koncz presents the dish to Pacquiao and, in a tone born more in sorrow than in anger, announces that something has gone terribly wrong; instead of rice, the chef has accompanied Manny's meat with mashed potatoes. Manny nods. "I'm so sorry, Manny," Koncz says as he begins to cut Pacquiao's steak and season his cooked vegetables for him. "The bread is very soft, though." Manny prays, eats. After, he reposes on a couch. As one member of Team Pacquiao begins to massage his feet, calves, and thighs, Koncz drapes him in a blanket, methodically but gently tucking its edges in.

"And now," Manny Pacquiao says to me with a lovely smile, "you talk."

*****

You're not a boxing fan? Doesn't matter. We're all fans of the strange, hardwired to seek and behold it—and Manny Pacquiao is the most beautifully strange human being to befall boxing, and perhaps even all of sport, in a generation.

Beautiful and strange to the eye, of course. That speed! The coil and float. The spooky slowing of time. The suspicion he creates in you that your naked eye only partially apprehends him—that what he does in the ring exceeds your spectrum.

And beautifully strange on paper. At the elite level, a boxer's optimal fighting weight involves a trade-off of speed and power. Particularly in the lighter weight classes, a boxer who enters the ring thirty-two ounces over or under his natural fighting weight is often too slowed or weakened to win. Despite such parameters, Pacquiao has won divisions ranging from flyweight, a belt he won in 1998 as a 112-pound 19-year-old, to welterweight, a division that tops out at 147 pounds, in November 2009. (He began his career in 1995, as a 16-year-old, 106-pound light flyweight.) On March 13, he'll defend his welterweight belt against the Ghanaian fighter Joshua Clottey. According to every metric, Pacquiao…can't be. Which is why, over the past fifteen years, the expert nay-saying has come even from his own corner. "I would think that Manny can fight at 140. But I think going past 140 would be a mistake," Pacquiao's promoter, Bob Arum, told ESPN in December 2008. "Every time I think of Manny in a ring with [Puerto Rican welterweight] Miguel Cotto… it begins to look a little ludicrous." In other words, even Pacquiao's supernatural speed wouldn't matter. A natural welterweight like Cotto would register the punches as love taps; Pacquiao, in turn, would be crushed.


Just eleven months later, a 144-pound Pacquiao met Cotto at the MGM Grand in Las Vegas. As always, that strange beauty was fully on display in his combinations. But it was also present in a deeper, almost undetectable way. Only a few people in Pacquiao's camp caught on, and even then not while their man was in the ring.

"About five hours before the fight, I asked him how he was feeling," says Jayke Joson, who identifies himself as the chief of staff of Team Pacquiao, the fighter's entourage. "I thought maybe he didn't hear, because he didn't say anything. But then he said, real quiet, 'I want to feel my training.' I said, 'Okay, Manny, what do you mean?' He just smiled and said, 'I feel curious.' "

Only later that night, hours after the fight had ended, did he see how Pacquiao's cryptic pronouncements explained the first two rounds. To those in Pacquiao's corner, they were terrifying rounds. To their surprise, Cotto was moving beautifully, cutting off his lighter, faster opponent, steering him into a retreating posture and into the ropes. Having turned Pacquiao into a nonmoving target, Cotto unleashed everything he had— and connected. To the ribs, the gut, the head. Big undiluted punches, bigger than any Pacquiao had ever endured, the kind of hits experts claimed he could never withstand, the kind his own promoter had deemed so "ludicrous" that he'd never subject his fighter to them. From the corner, Pacquiao's longtime trainer, Freddie Roach, screamed, "Son! Son! Son! Don't play with him! Stop it!"

And then, early in the third round, quite abruptly, he did. And how: In the slo-mo hi-def replays of Pacquiao's most vicious flurries in that round and those that followed, the dislocation and snapback of Cotto's face wasn't just "ludicrous." It was horrific. Here was Cotto, a world-class welterweight, every square inch of him taut. Yet Pacquiao's punches kept shifting Cotto's whole face off its foundation—almost an inch, it looked like—creating a fractional second during which a fun-house Silly Putty version of the man's unmoored visage jiggled and warped before reafixing itself to his skull. It was impossible to keep the thought at bay: If Pacquiao doesn't stop, he's going to hit Cotto's face off.

Hours after Pacquiao's twelfth-round win by technical knockout, Joson recalled Pacquiao's words. Manny was curious. So curious, Joson realized, that even with his place in boxing history and tens of millions of dollars in the balance, Pacquiao decided to violate Roach's fight plan.

"I wanted to feel his power," Pacquiao tells me on the plane ride. The question seems to discomfit him. Too private? His answer, spoken with lowered eyes, feels less an explanation than an admission. "I just needed to know. For myself."

Consider that—a boxer attempting to join his spectators in watching himself in real time, and with the same question: Is there a limit to this man's ability?

"Do you know what Manny Pacquiao does in between rounds at the MGM Grand, where they have the big screens up?" Roach says. "He watches himself. I have to slap him in the face and say, 'Manny, look at me!' "

Is it vanity? Or only vanity? It may be worth noting that in the hours leading up to a fight, Manny Pacquiao does not feel nervous. Nor does he harden his face into a warrior's mask. He sings. Rousingly ("La Bamba"). Tenderly ("Sometimes When We Touch"). He stops singing only when the priest arrives to conduct Mass. During the prayers, Manny does not petition for a victory— only for a good fight, and for the safety of his opponent and himself.

"Manny has never needed to hate his opponents," says Miles Roces, a former Philippine congressman and current member of Team Pacquiao. "There's no chip on his shoulder. He just wants to play."

Once the priest departs, the singing resumes. He sings his way out of the dressing room and into the arena, and the music doesn't stop until he's in the ring and the mouth guard goes in.

"Manny Pacquiao likes to be happy," Roach explains. "And when Manny Pacquiao is happy, that motherfucker can fight."

You think that when you talk about Manny Pacquiao, you're talking about just an athlete? You're not. You're talking about a man born to Dickensian tin-shanty poverty in General Santos City, a dry-baked scab on the Philippine nation's equatorial bottom. You're talking about a man who spent every hour of his childhood stomach-hungry, shoeless, and stinking. A man whose father abandoned the home when he was a toddler, stayed away for many years, showed up one day for several hours, just long enough to cook and eat his son's dog, then vanished again. A man who never finished school and left for Manila as a teen not because he was pulled, not because others sensed a destiny in him, but because he felt duty-bound to decrease the mouths under his mother's roof. This may be the strangest twist in Pacquiao's athletic history: He grew up in a nation where the cultivation of boxing talent amounts to a civic duty, yet those who saw him compete as a boy considered Pacquiao, at best, a local talent. After arriving in Manila at the age of 14, he spent a year selling doughnuts in the street, working construction, training in a gym, at times sleeping under a bridge swaddled in newspapers—and fighting for one-hundred-peso purses (about two U.S. dollars) in illegal back-alley brawls. You're talking about a man whose consciousness was reduced to the purely physical by the time he hit puberty, a nasty little fighting cock, everything about him that could have been supple and imaginative scraped down to and off the bone…yes? Well, no. By all rights, that's how this guy's life should have unfolded. But then that other element, the strange—which meant this was a fighter who often subjected the gym where he trained to…speeches.


"Sometimes there'd be somebody there, sometimes there was nobody else around as far as he knew, but it didn't matter to Manny— he was dreaming out loud," says Nick Giongco, who handles the Pacquiao beat for the Manila Bulletin. "He would announce himself as the mayor and speak about his plans for improving things. He would move his arms around like a politician. I could never tell if he was just trying to entertain himself or if he was, you know, practicing."

The latter, it's now clear. Pacquiao's March 13 fight was originally slotted for May, but moved after Manny announced his candidacy for a national congressional seat. His political ambitions (he lost a previous race in 2007) feed the strange mainly by way of contrast. To appreciate this contrast, one must understand the tectonic, archetypal figure Manny Pacquiao has become to his countrymen. A seemingly ridiculous comparison is anything but: As commercially and symbolically and narratively huge as Michael Jackson was in America in 1984 in the wake of Thriller, his hugeness pales next to that of Manny Pacquiao in the Philippines at this very moment.

Consider the elements. Consider that in the Philippines, the Roman Catholic devotion and the talent for and aesthetic of violence run deep, and are not unrelated. Consider that Manny Pacquiao is both the Philippines' most visibly pious Roman Catholic and its most accomplished practitioner of violence. Consider that Manny Pacquiao, whom one former Philippine congressman describes as the country's "most important source of social welfare," is also its most enthusiastic cockfighter (it's a legal and beloved pastime there) and has constructed a private training compound for his warrior birds. Consider that Manny Pacquiao is… you surely saw this coming…a pop singer with two platinum albums in a nation in which karaoke singing is serious fucking business—in which breaches of karaoke etiquette actually get people killed, and where over the past decade poorly received karaoke performances of Paul Anka's signature tune have generated half a dozen murders now known as the "My Way" killings.

You could consider many other elements— that he's a Philippine action-film star, or his weekly sitcom, Show Me the Manny, or that the birthday party he throws for himself and 3,000 of his dearest friends (including several of his former opponents, whose expenses he covers, as well as the country's president) every year is to the Philippines what the Super Bowl is to America, or that he spends thousands of dollars a day feeding anyone who comes to his door, or that he loves to gamble and plays billiards at a world class level—but none of that is required.

What is required, firstly, is an understanding that everything Manny Pacquiao does, is, and represents is amplified a thousandfold by way of being annealed in the crucible of Third World poverty. Secondly, what is required is an awareness of the way the national narratives this man embodies—the one springing from his boxing career and Christian good works, the other from his political aspirations— contradict each other. Simply put: Manny Pacquiao is his nation's favorite son. In his excellence, in his humility, in his impeccable sportsmanship, in his unreconstructed boyishness, he represents to his fellow Filipinos everything about their nation that could be, and maybe even is, uncorrupted.

"We Filipinos are not accustomed to this kind of story," says Roces, the former Philippine congressman. "We're too used to everything on the front page being negative. As Manny has risen through the weight classes, nobody has doubted him more than Filipinos. We expect our public figures to falter. It's incredible, but for a long time the people who loved Manny Pacquiao the most, his own people, were the ones who least believed in him." What's more, Pacquiao is an unimaginably wealthy self-made man who could easily make himself even wealthier by moving to the United States to decrease his tax liabilities and multiply his endorsement opportunities. This is, in fact, the Philippine way, and has been for more than a hundred years; Filipinos who dream of building better lives for themselves and their families go to America and send money home. But this is not Manny Pacquiao's way. Because…he is Manny Pacquiao. And Manny Pacquiao has chosen to find his bliss at home. "Not just in the Philippines," says Abac Cordero, who covers boxing for The Philippine Star. "In his hometown. The place he started. You cannot understand how this has stunned us Filipinos. That Manny Pacquiao chose us."

Yet Manny Pacquiao's decision to make his country his home stuns Filipinos far less than his political forays. "Take Manny Pacquiao out of the equation and then tell me: Who is the first person you think of when you hear 'Filipino'?" Cordero asks, before quickly (and correctly) answering for me. "Marcos. This is how the world knows us. By our corrupt political clans that have been around for centuries. This is how we know ourselves. And Manny Pacquiao, the most beloved figure in the country, talks of going there? It makes his people fear for him."

It's the strangest thing: Pacquiao was routed in his run for public office two years ago in part because voters revered him too much to elect him.

This cognitive dissonance, the way Manny Pacquiao channels two mutually contradicting national narratives—it's not academic. Manny himself concedes that last fall, a Philippine mayor named Andal Ampatuan enjoyed a ringside view of his demolition of Miguel Cotto in Las Vegas. Two weeks later, Ampatuan's father, a former provincial governor irked by a political challenger to the Ampatuan clan's long-standing dominance, allegedly decided enough was enough and ordered his son to "take out" the man that very day and, if necessary, anybody "with him." There turned out to be quite a few "withs" on November 23, the day Ampatuan allegedly carried out his father's order—fifty-seven in all, including thirty journalists. (Though not the target himself, who knew he was in danger and had sent his wife and daughter, whom he presumed would be considered untouchable, to register his candidacy.) According to survivors, the mayor "thoughtfully" considered each plea for mercy, then laughed "at the top of his voice" as he delivered his verdicts at close range.


If last fall's victory over Cotto, who punches as hard as any true welterweight, was Pacquiao's most daunting, his domination of Oscar De La Hoya in December of 2008 was his most iconic. (For background on that fight, read Peter Owen Nelson's series of essays on vanityfair.com.) "People were telling me I should be ashamed of myself because Oscar was going to kill him," Roach says. "Even [Arum's] matchmakers were saying, 'Come on, it's not even a fight. It's irresponsible.' " As well they should have; over fifteen years, Pacquiao had added more than a third of his original fighting weight to his frame. This should have made him as strong as a bull and as agile as a hippo. But something Roach had done, a by-product of complicating him, of turning him from a one-dimensional brawler with limitless physical courage and a savage left hook into an ambidextrous threat who now thought and fought with his feet—who posed as much of a threat when he was separating from an opponent's body as he did when he was advancing into it—had sped him up. Dislocated him from the weight of that accumulated muscle while still allowing him to tap its power.

Though the ref called the De La Hoya fight after eight rounds, anyone watching knew it was over after sixty seconds. And its meaning was set: De La Hoya, who for fifteen years had justly been called "the best of his generation," was done, supplanted. After the Cotto fight, the default terminology for Pacquiao has been further augmented. Forget "generation," or even the qualifying "pound for pound": The five-foot-six Pambansang Kamao—"National Fist"—of the Philippines is arguably the best athlete ever to don gloves.

"I used to say that Ali was the best I'd ever seen," says Arum, an industry legend who co-promoted the Ali-Frazier "Thrilla in Manila" in 1975. "I had never said that about another man. I don't use those words cheaply. But here it is: Manny Pacquiao is the best I have ever seen, including Ali. I have never seen the combination of this incredible speed, this crippling punching power, and the concentration he has in the ring. Nobody has. No one has ever moved the way he does. No one has been so equally potent with the right and left hand. If this were baseball, we would be talking about a switch-hitter who bats .400 from both sides of the plate."

Do note that qualifying "arguably" several lines above—and know that it would have inarguably been banished had Pacquiao beat the great 40-0 welterweight, Floyd Mayweather, on March 13. To the ongoing disbelief of boxing fans all over the world, however, the Pacquiao-Mayweather fight, the most anticipated fight since Ali met Foreman in the Congo, the richest (some $35 million per fighter, conservatively) and most watched (given likely pay-per-view numbers) fight in the history of the planet, the fight that couldn't not happen…didn't. Instead, there is Joshua Clottey. The reasons the fight with Mayweather fell through are stupid and ugly. And juvenile. And strange.

The strange of Manny Pacquiao! In December a Team Pacquiao "rep" instructed this magazine to place its writer at Manila's Mandarin Oriental hotel "on Monday." Manny would be "ready at 2:00." So I traveled to the Philippines. (Didn't I?)

Manny Pacquiao may be a figure of international import who in his own country represents everyone and everything. But nobody in his country represents Manny Pacquiao. Many purport to. Guarantees are made, places and times named. And then…nothing.

At first there was disappointment. The call at one forty-five informing me that "he's running late." And then, an hour later, a similar call. Then another. As one "meet" after another fell through, disappointment became concern. And then, as ever more basic questions proved unanswerable—Is Manny in Manila? Is Manny in the country? Has Manny actually agreed to be profiled by GQ? Does Manny even exist? Do I?—frustration, irritation, indignation. But in the end, sympathy. Though Manny's men did not represent him in any workaday sense, they clearly believed they did. There was no bad faith. Only madness.

Who gives a shit about some writer's logistical snafus, right? Yet to understand all that is Pacquiao, one must understand the epical dysfunction of his entourage. Because the entourage is the everyday manifestation of the larger Pacquiao "thing"—the way the two narratives he carries within him obliterate each other, matter and antimatter.

Take Luis "Chavit" Singson. The Governor, they call him, though he no longer holds that office. He's a 68-year-old tobacco magnate and one of the most powerful men in the Philippines. He's Manny's main political sponsor and a close friend—the kind admitted into the ring after fights. The Governor takes care of things for Manny. Actually, the Governor takes care of all sorts of things, some of which he speaks about with surprising candor. Say, the millions of dollars in gambling kickbacks he gave to former Philippine president Joseph Estrada. Or beating up his mistress. Last summer, the Governor found her with a younger man. He and a number of cohorts allegedly rectified this situation with (among other implements) a tiger whip.

"I beat up both of them!" the Governor cheerfully told a radio interviewer in September, after a picture of the mistress, her face looking like a lasagna, appeared on the front page of The Philippine Star. "It's good I'm not ruthless," he added. "I didn't kill them."

The Governor was gracious enough to fly me and some two dozen other members of Team Pacquiao from Manila to General Santos for Manny's birthday party. We sat together. Later, one Team Pacquiao member expressed surprise that the Governor hadn't shown me the picture in his wallet.



"Who's it of ?" I asked.

"That guy's dick."

"What?"

"After the Governor's guys had laid it on a table and whacked it with a hammer. It had to be surgically cut off after. Too mauled."

On the plane, I asked the Governor about Manny. "Girls squeal" in Pacquiao's presence, he remarked. "Like the sound of a pig being slaughtered!" But after a few minutes he changed the subject. "I have twelve tiger. When I home, I swim with them every day. But now I want to make liger, yes?" The product of a lion and a tiger. "So I bring lion in, and he do this, yes?" The Governor made a fucky-fucky motion with his right index finger and his closed left fist. "And he do, and he do. No liger. And so I make him do, and do some more. And then…acchhhhh!"

The Governor clasped his hands to his heart and rolled his eyes back in their orbits; his lion stud had literally died of a cardiac infarction while being made to copulate for the umpteenth time with one of his tigresses.

"No liger," the Governor said dejectedly.

Or take Joe Ramos, who was also on the Governor's plane. (He's the one who'd advised me to be "ready" at the Mandarin Oriental. After several scheduled interviews didn't materialize, I'd sought help from other Team Pacquiao handlers, whose contempt for Ramos was matched only by their contempt that I had not gone to them first.) Joe is a close friend of Manny's. Manny says so. Multiple members of Team Pacquiao say Ramos stole a substantial amount of money from Manny. (Manny and Joe call the issue a misunderstanding.) According to these members, Manny told Joe he was angry and saddened by the betrayal, but that he forgave him. So Joe remained in the fold.

The thing is, a number of people have stolen from Manny, been caught by Manny, then been forgiven by Manny: Never has a fighter been possessed of so pacifistic a nature. What's more, there seems to be a consensus that these redeemed-Judas tableaux were… pre-scripted.

"He has made numerous people in his camp believe in God with what he's done," Ramos says. "Do you understand?"

Abac Cordero puts it more directly: "I think he was put here to make us better men. There is a feeling that those who betrayed him had to, so that Manny could teach them."

"Sometimes, the way things happen with Manny, it's like, parables," Ramos says. "Here's one: At the last training camp there were about thirty of us there. Now, one of my jobs is to lower the overall costs of living. So we go to this Thai restaurant next to [Roach's gym]. Our bill there was between $500 and $700 every day. So I said, 'Manny, why don't we buy some food from the local Philippine restaurant and have it delivered to your apartment? It'll only cost about $150.' Manny took me by the shoulders and in front of everybody said, 'Don't ever mess with another man's livelihood. Now let us enjoy their food.' "

It is difficult for an American to comprehend the degree to which Manny Pacquiao keeps his disciples close. Not just emotionally but bodily. When training in Los Angeles, where Roach's gym is located, Pacquiao rarely stays in the home he recently purchased. Instead, some fifteen members of Team Pacquiao—an ever metastasizing organism currently comprising about three dozen men—stays in a dingy two-room apartment.

"Whoever's on the best terms with Manny at that moment sleeps closest to him, at the foot of his bed," Roach says. "You think I'm joking? The first time I went to the Philippines, they put four guys in my room. I said, 'What is this bullshit? I want my own room.' And they were like, 'Team Pacquiao likes to be together!' So I wound up in the bed, and these…guys, helpers, sparring partners, Manny's brother, Bobby, slept on the floor."

Why is it that the closer Manny Pacquiao brings his people to his bosom, the more incapable they become of speaking for him, representing him, even knowing him?

"Because they're scared," Roach says. "Nobody wants to be the guy who asks Manny the question that might irritate him on a particular day. If you're the guy who says, 'Manny, you're supposed to fly to Manila today,' and Manny doesn't want to hear it, you might not be the guy who gets to fluff his rice."

Last year Manny was supposed to throw out the first pitch at a Dodgers game. Dodgers management worked out the details with Team Pacquiao. Manny Pacquiao didn't show up. He wasn't even in the country.

No one ever told him.

"For the last fight, I couldn't get an answer about where we were going to train," Roach says. "I'd gotten all the sparring partners a month in advance. Finally, four days before training was supposed to start, I got Koncz on the phone in the Philippines and said, 'Where are we doing this?' The answer was, 'Yeah, well, we haven't asked him yet.' You haven't asked him yet? Two days later, Manny flew to the States for a press conference. I said, 'Where are we training, Manny?' He says, 'Baguio.' Okay, done deal. I mean, this is his boxing career, and nobody had the nerve to ask him a basic question."

The day I wound up banging on Manny's piano happened to be my last in the Philippines; though it was also Manny's birthday, one of his "reps" had promised to get me "in the living room at two thirty," and by God it had happened. He hadn't stipulated whether Manny would be in the room, however, and by then I was too bewildered to ask. So I spent a few hours admiring the decor. The room was a carnival of the baroque, as if four designers had been dosed with LSD and then assigned one wall each, with no awareness of what the other three were doing. The porcelain merry-go-round, encrusted with zirconium and with the tags still attached, was by Vittorio Sabadin. The orchids were plastic.



Because he is Pacquiao.

The birthday party, in a convention hall, began with a 6 p.m. Mass. There were no prayers for the people—just for the Person.

…that he will be blessed with good health and money…to share his blessings…

The birthday supplied convincing evidence that the boxing and the politics and the mythos are secondary—only in the mix because they create the circumstances under which Manny Pacquiao can annually subject a captive audience of 3,000 to six hours of karaoke-style singing.

As ever, he began with "La Bamba." With its triumphant chorus came a bursting open of doors and an outflowing of bounty: tuna the size of linebackers; a herd of swine— thirty? forty?—roasted wide-eyed and whole. As his guests began to eat, Pacquiao slowed things down with "Nothing's Gonna Change My Love for You." His wife, Jinkee, sang a number. The audience then watched Pacquiao as he stood onstage watching his children line dance to Top 40 hits.

Because he is Pacquiao.

Manny sang "Endless Love" with a Britain's Got Talent contestant.

Manny's mother, Dionisia, exploded onto the stage in a red dress with white polka dots and performed a tango to a dance remix of ABBA's "Dancing Queen."

A beautiful and strikingly tall Filipina woman approached out of the blue to inform me that "you are not handsome, but you are cute." A Filipino man named Curtis informed me that he owned "the premier gentlemen's club in Manila" and that "I'll hook you up."

Dionisia retook the stage. There had been a wardrobe change. She delivered a fiery speech in the native Tagalog tongue. Three hours in, the inescapable thought: But why?

To feed us. To entertain us. To show us what he means to us and what we mean to him.

There were gymnasts and belly dancers. A Lady Gaga impersonator. A metal cart heaped with the ravaged shells of pig and tuna, hocks and picked spines and half-masticated ribbons of gristle and skin cascading over its sides. (Partygoers kept slipping on the glistening snail trail the cart left in its wake.) A slide show featuring images of Manny Pacquiao dressing and assessing himself in various mirrors soundtracked by Michael Jackson's "Man in the Mirror." Throughout the evening, Michael Koncz, who is unanimously acclaimed as Team Pacquiao's most ubiquitous and inexplicable member, stood on the left side of the stage. Watching.

To judge us.

Six hours in: Dionisia redivivus! Another wardrobe change! Another tango!

To punish us.

At four in the morning, three hours before my flight out of General Santos City was to depart, Joe Ramos texted my cell. "Manny playing pool. Can get you in the room."

On the plane to New York, after Manny has eaten and Michael Koncz has tucked him in, I ask Pacquiao about walking into Cotto's punches. About his birthday party. About his various meanings. About everything. I can only pass on what he gives me.

Manny says: "Boxing is not about your feelings. It's about performance."

Manny says: "Because I been in the poorest life, I know what they live. I remember what it is to be hungry. People are shouting for help. Most of leaders in Philippine politics come from rich family. Most politician from government is hands to their pocket. They don't feel what the people are shouting."

Manny says: "God is love. Love your people. Keep them close. If you always keep them close, no matter what, because you must love, then you must forgive. Yes?"

Manny says: "Before fight? I am just laughing. I talk to God. I said, 'God, I trust you. If you want me to lose this fight, I will accept that. Whatever you want. But I am not scared.' "

Manny says: "I'm surprised that that [De La Hoya] fight I win easily, yeah?"

Manny says: "So your wife, you can tell her that me, I have a good nature?"

Manny says: "My faith to God. It not make a great story for you. I sorry, but that is truth."

Manny Pacquiao then closes his eyes and falls asleep.

And I watch him sleep. Or rather, I join his men as they regard their beloved boy-man in the act of sleep. It cannot be helped. In motion or at rest, he is beautiful to behold. I feel an inexplicable need to protect him.

I think about how the people closest to Pacquiao—and there are an astonishing number of them, literally, bodily, at all times—do not know who or what Manny is. How they don't even know when or where he is.

I think about something Freddie Roach has said—that Manny often loses on purpose when gambling with his friends in order to alleviate their shame over accepting his alms.

I think about the umbrage with which Michael Koncz asserts that he—not Jayke Joson or some other Team Pacquiao pretender—is Manny's chief of staff: "Manny made that announcement two months ago at a billiards tournament in General Santos."

I think about how Manny Pacquiao's life is a cyclone of madness and dysfunction and karaoke and tango dancing and fucked-to-death lions and grown men vying to fluff his rice and cut his meat and massage his thighs and sing harmony parts on Beatles songs.

How can he live this way?

Because he is the serene centering Eye. The storm, his life, envelops but does not touch him. The Tysonesque psychopathologies that drive other boxers to the dark side are flung centrifugally from his body and soul, outsourced to his disciples, who carry this burden and lay down their lives for him.

I begin to think about how Manny Pacquiao cannot be pieced or parsed. I begin to enter a fugue state. I begin scrawling in my notebook.



The great I AM.
Because he is Pacquiao.
God is Love.
Cogito, ergo sum.
Lapu-Lapu.

"What are you doing there?" Freddie Roach asks. He's looking over my shoulder at my scratchings. He seems amused.

"I don't know," I tell him. Roach stands there for a moment. Then he shrugs.

"We're not going to see another Manny Pacquiao again," he says. "Not in this lifetime."

andrew corsello was recently named Manny Pacquiao's chief of staff.


Blog EntryMar 15, '10 11:30 PM
for everyone
This article is a direct lift from http://www.pula.ph/?article=inventor_of_flourescent_lighting

The Myth of "Flores"-cent Lighting



The legend of Agapito Flores, alleged Filipino inventor of flourescent lighting, is so widely believed among Filipinos that it is even printed in some of our science and history textbooks, and is a regular highlight at local educational science expos (along with "Eduardo San Juan's" lunar rover).

The
Pinoy Inventions page at the Philippine Records website, while citing Flores as the "acknowledged inventor" of the flourescent lamp, does also concede that the development of flourescent lighting as we know it today was a gradual process that cannot be pinned on the efforts of a single inventor, let alone Agapito Flores.

Many Filipinos acknowledge Agapito Flores as the inventor of the fluorescent lamp, which is the most widely used source of lighting in the world today. The fluorescent lamp reportedly got its name from Flores. Written articles about Flores said he was born in Bantayan Island in Cebu.

The fluorescent lamp, however, was not invented in a particular year. It was the product of 79 years of developing the lighting method which began with the invention of the electric light bulb by Thomas Edison. Among the inventors who took credit for developing the fluorescent lamp were French physicist A. E. Becquerel (1867), Nikola Tesla, Albert Hall (1927), Mark Winsor and Edmund Germer.

French inventor Andre Claude was recognized for developing the flurescent tubular lighting systems. Yet, he was not officially recognized as the inventor of fluorescent lamp. It was reported that the General Electric and Westinghouse obtained Claude's patent rights and developed the fluorescent lamp that we know today.

- From the Philippine Records page


Filipino inventions-specialist Benito Vergara's research belies the popular Filipino notion of the "Flores"-cent bulb. In an
interview with the Inquirer:

Contrary to common belief, fluorescent lighting was not a Filipino discovery. "As far as I could learn, a certain Flores presented the idea of fluorescent light to Manuel Quezon when he became president. At that time, General Electric Co. had already presented the fluorescent light to the public."

- From the Philippine Daily Inquirer


Teacher Queena Lee Chua also addresses the Flores myth briefly in her
science column:

There is no evidence whatsoever (except from outdated elementary science textbooks which copy from each other) that Agapito Flores invented the fluorescent lamp. This highly efficient light source uses a mercury arc and a fluorescent phosphor coating inside its tube.

Widely used in factories, schools and homes, the fluorescent lamp is not of recent origin. In fact, its mechanics have been known since the 1860s. So who invented the fluorescent lamp? Most sources credit the French physicist Antoine H. Becquerel to have invented a primitive one in 1867. Many inventors have improved on his work, the most famous being Thomas Edison.

- From the Philippine Daily Inquirer


If indeed an Agapito Flores invented something similar, then it's unlikely that his ideas were bought or stolen. Rather, the invention was peripheral -- and somewhat tardy -- to what had already been developing elsewhere on a larger scale.





Photo AlbumHonestly, The Fight Was BoringMar 14, '10 12:44 AM
for everyone
ddd
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So Manny won. There wasn't a moment of excitement in the fight. Pacquiao punched and punched and punched and Clottey just took it.

Well, bottomline is that Pac is THE BEST POUND FOR POUND BOXER IN THE WORLD.

Mario Lopez: You hurt him whenever you connect so why didn't you let your hands go.
Joshua Clottey: He was fast. I had to take my time.

Photo AlbumArnel Sings the National AnthemMar 13, '10 11:36 PM
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ddd
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... kaya lang he was pwned by the US Cowboy singers. eheheheh

Photo AlbumTop 10 Most Expensive HousesMar 10, '10 7:34 PM
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ddd
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ddd
click here for the details.

EDIT: The link is fix now.

Blog EntryMar 8, '10 12:17 AM
for everyone
Thanks for streaming it live for me , K.


Actor in a Leading Role

  • Jeff Bridges in “Crazy Heart”

Actor in a Supporting Role

  • Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

  • Sandra Bullock in “The Blind Side”


Actress in a Supporting Role

  • Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

  • Up” Pete Docter

Art Direction

  • Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair

Cinematography

  • Avatar” Mauro Fiore

Costume Design

  • The Young Victoria” Sandy Powell

Directing

  • The Hurt Locker” Kathryn Bigelow

Documentary (Feature)

  • The Cove” Louie Psihoyos and Fisher Stevens

Documentary (Short Subject)

  • Music by Prudence” Roger Ross Williams and Elinor Burkett

Film Editing

  • The Hurt Locker” Bob Murawski and Chris Innis

Foreign Language Film

  • The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina

Makeup

  • Star Trek” Barney Burman, Mindy Hall and Joel Harlow

Music (Original Score)

  • Up” Michael Giacchino

Music (Original Song)

  • The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Best Picture

  • The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers

Short Film (Animated)

  • Logorama” Nicolas Schmerkin

Short Film (Live Action)

  • The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

  • The Hurt Locker” Paul N.J. Ottosson

Sound Mixing

  • The Hurt Locker” Paul N.J. Ottosson and Ray Beckett

Visual Effects

  • Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones

Writing (Adapted Screenplay)

  • Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher

Writing (Original Screenplay)

  • The Hurt Locker” Written by Mark Boal

Photo AlbumMakesong Hapon PoMar 3, '10 12:21 AM
for everyone

Blog EntryFeb 28, '10 9:04 AM
for everyone

Three names are consistently and perhaps internationally recognized as NBA hardcores – Tim Hardaway, Shaquille O’ Neil and Dwayne Wade. These three launch themselves in the air with ease and grace you’ll think there is an invisible staircase that moves around with them. They brave the face of their opponents no matter the height, size and shape. They outrun, outwit and freakin’ outplay anyone who gets in their way to shooting the ball. They are conditioned, trained and motivated it would probably take Superman in steroids to beat them on the court.

If you think they got to where they are because they were born with it, you couldn’t be more wrong.

One man always stands a couple of feet away who knew their potential way before the world did, who found ways how to improve their weakness and hone their strengths. He was the almighty god-of-their-basketball-universe be all and end all coach and he is one heck of a proud Pinoy – Erik Spoelstra.

ERIK SPOELSTRA - Miami Heat Head Coach Proud Pinoy

ERIK SPOELSTRA - Miami Heat Head Coach Proud Pinoy

Erik does not own a blackbelt in any martial arts, have never been to the prison for more than a couple of overnighters and certainly did not fight any rebel in any country but he, without an ounce of doubt, is a balls-out effin’ guy who exert absolutely insane courage than the lead character of of Kill Bill put in the middle of professional UFC fighters, true Japanese Ninja and Muntinlupa lunatics.

At 38, Erik became the youngest NBA head coach. It comes with both prestige and responsibility. He is not new to the game. His mother, Elisa Celino, is pure Pinay and hails from Laguna. His father, Jon Spoelstra, is a long time NBA executive for Portland Trail Blazers, Denver Nuggets and New Jersey Nets. Erik played basketball for the Jesuit High School in Portland, University of of Portland, and coached and played for Tus Herten, a German professional team. He almost played for the PBA, which he says now, in hindsight he wished pushed through.

I took my time in writing this article. After the first seven personalities I wrote about, I had to find someone we can really be proud of. Erik fits this. He is the kind of Pinoy who doesn’t feel the need prove to everyone he is Pinoy because, for him, it is so gadam obvious.

His beginnings in the NBA is not glamorous, though. The legendary Pat Riley took him in as Miami Heat’s video coordinator. Erik didn’t know what the job entailed then. Turns out, he was to in-charnged of preparing scouting tapes for the team in 1995. Erik didn’t waste time in displaying some badass attitude towards his work. He was cited by Sports Illustrated for honing stars like Dwayne Wade’s shooting balance and smoothing out his release after the Flash’s return from the Athens Olympics.

Two years later he was named Assistant Coach/Video Coordinator, then promoted to Assistant Coach/Advance Scout in 1999. He became the Assistant Coach/Director of Scouting in 2001.On April of 2008, Erik Spoelstra (known to the players as “Coach Spo”) was then named successor to Pat Riley as head coach of the Miami Heat.

That story sounded simple but the work on how he got there is not. When he was scouting, he spent

20 to 25 nights a month out on the road for two years. He goes from one city to another trailing a team and writes up a report on what they do, assess individual players, make a recommendation on who to get and who to pass. On his hands, lies the NBA future of many many talents out there. Without his eye and brains, NBA would be naught in several years. He has no contact with the team he is working for other than the report he is sending.

Erik calls the shots, how cool is that?!

Erik calls the shots, how cool is that?!


That’s a pretty giant mind f$%k if you ask me. Being away from home 96% of the time can move you past insanity and into the demonic world of boredome but not Erik. He didn’t just remain awesome, he managed to become great all of the g0dd@mned time. He managed to turn the job into his advantage, he learned so many different coaching philosophies, ways of doing things, ffensive and defensive schemes and ways of communicating and coaching and teaching players.

Erik is also one of those responsible for tuning the basketball into a science – a game of statistical probabilities and of floor strategies. He proved that everything can be learned including opponents to beat them at their own style of play. He developed a proprietary software, a statistical database that accumulates as much information as they can for assessment. He is also in the process of putting their 300-page playbook in a notebook that players can flip through. He also wants to put it in iTouch recognizing that many players are gadget freaks. He knows it’s another way to communicate with the players. So, he is putting diagrams of plays, motivational quotes, articles about the players, and even on people with interesting lives that we can relate to.

Riley credits Erik for recognizing the use of technology in bringing fresh new ideas in the handling a team without forgetting the fact that it ends up being about the players and their performance. I don’t know about you but a simple analysis of how I should train for a freakin’ 10K run gives me a headache in titanic proportion let alone come up with a technical program where an entire NBA team worth more than my soul could give me instant clinical insanity.

To Erik, though, it’s just part of the job.

Erik is filling Pat Riley’s gigantic shoes having coached the Lakers to four NBA titles led the New York Knicks to the NBA Finals and steered the Heat to the championship in 2006. He is also a Hall of Famer.

The greatness of Erik ain’t gonna come in this decade, maybe not even in the next. His greatness as another proud Pinoy is a different story though.



VideoFeb 24, '10 6:23 PM
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VideoFeb 12, '10 10:25 AM
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this guy rocks.



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NoteGuestbook
   
tufiich wrote on Sep 17, '11
zestychic wrote on Feb 17, '10

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mestisacute wrote on Apr 3, '09
ms.f sana talaga ..

wala po ba gngawa si praty na movie or upcoming movie na gagwin ?
mestisacute wrote on Apr 3, '09
ay ganun po ba sana talaga :) ..

wala po ba gngwa si praty movie?
mestisacute wrote on Apr 2, '09
ms.f sana maisipan ni mother lily bigyan ng movie si john heart at maja together :)
mestisacute wrote on Mar 10, '09
hello ms.f ok lang po :) busy eh dami gngawa magclosing na poh kasi eh kaw po musta?
mestisacute wrote on Mar 9, '09
ms.f musta ?
mestisacute wrote on Feb 5, '09
wow talaga ms.f my ginagawang movie si john :)

so excited for that lead role ba siya ms.f

hay naku sinabi mo pa ms.f kakatmad na nga magaral eh :)) pero enjoy din dahil sa allowance at sa mga experience araw araw yun ngalang kapagod din kasi daming work..

good luck sayo ms.f :)
mestisacute wrote on Feb 4, '09
busy din ms.f sa studies dami laging assignments and reports eh .. oh my gnagawa kang movie ms.f ano yun ?

namimiss na nga namin si john sa big screen eh.. gusto naman magkamovie siya this year :)
mestisacute wrote on Jan 30, '09
ms.f how r you ?! mukhang busy ka ha
mestisacute wrote on Jan 20, '09
thank you po talaga ms.f ha! :)

sana magkamovie siya this year ...
mestisacute wrote on Jan 20, '09
ms.f my alam ka po ba kung my gagawin movie si praty sa regal this year? thanks po
mestisacute wrote on Jan 12, '09
ok lang din po ms.f :)
mestisacute wrote on Jan 9, '09
MS. F how r u ?!
iceeduanne wrote on Dec 31, '08
MS.F!!!! GREETINGS FROM THE GLOBAL JOHNATICS!!!!!!!
styleonurbudget wrote on Nov 19, '08
hi sis.. yes i do meet ups @ sm sta.rosa.. where are you located sis? for sure orders plz fill up the order form.. thanks! =)
maryroseejenmark wrote on Nov 8, '08
sbi kc nya chunchie dw..bakla poh siya..nakatrabaho nyo na siya sa super noypi sa fight scenes lang...post ko dito pic nya pgnaUL ko na.
maryroseejenmark wrote on Nov 5, '08
hi ms. F..kilala niyo pa poh ba c chunchie? =)
mestisacute wrote on Oct 17, '08
ay ganun po ba thank u po ms.f :)
mestisacute wrote on Oct 16, '08
ms.f musta na po ?! wala po ba upcoing movie si pratty sa regal?